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Diary

Pupils from the lower sixth form theatre class have followed the making process of the play “Richard III –Loyaulté me lie”. As part of a project led by their teacher Laëtitia Le Van...

Pupils from the lower sixth form theatre class have followed the making process of the play “Richard III –Loyaulté me lie”. As part of a project led by their teacher Laëtitia Le Van...

Richard’s carousel (1/3) There is a third character which we haven’t talked about much until now. It is however a character that is very tangible and always present: the set. The set we...

Repetition and variation (3/3) Like great explorers, we now equip the stage like we would equip a ship for a long journey. We have maps on board, the whole crew is here, we have to prepare and...

Repetition and variation (2/3) Of all the tentacles that make up our Richard III, it is the text, newly translated by Gerald Garutti, that the actors Elodie Bordas and Jean Lambert-wild must turn...

Repetition and variation (1/3) Rehearsals are a ritual. Actors rehearse, like swimmers who, every day, repeat the same gestures to make them more precise, to ensure they can be performed without...

Ghosts and spectres (3/3) “Stay away from actors. Their skin is a magnifying glass against which ghosts rub their insides, leaving behind a cloud of wild rose and musk that embalms your eyes...

Ghosts and spectres (2/3) The discovery of witchcraft and the first demonology studies profoundly marked the golden age of Elizabethan theatre. At the time, putting ghosts on stage was a serious...

Ghosts and spectres (1/3) “Hell is empty, and all the devils are here” The Tempest , William Shakespeare...

Les origines de l’origine Pourquoi sommes-nous réunis en ce lundi 12 juin 2017 dans ce magnifique parc du Pôle Cirque de Nexon, cœur battant de la création circassienne, niché dans la campagne...

Premier jour de répétitions : débroussailler Dans la chaleur estivale, alors que Jean-Luc Therminarias et Nourel Boucherk installent la console et les enceintes au bord de l’étang, nous...

Tentatives au lointain Nous devons maintenant expérimenter les idées et suivre les intuitions des interprètes qui doivent évoluer et occuper l’espace qu’est ce vaste étang niché à l...

La boule à charrier, ce pourquoi nous vivons Le Clown du marais , premier texte du triptyque le Clown parleur , évoque d’une façon poétique les origines du clown Jean Lambert-wild et de sa...

The National Theater Company of Korea (NTCK) invited us to work on a production of Roberto Zucco , by Bernard-Marie Koltès, with their theatre company. When I say we, I mean Jean Lambert-wild and...

The NTCK’s resident company (1/2) We have been planning our work on Roberto Zucco for over a year. In July 2015, Jean Lambert-wild and Lorenzo Malaguerra travelled to Seoul to identify what was...